A couple of weeks ago, I discussed how querying an agent can be a waiting game. This week, I want to give you a comprehensive list of places you can go to find an agent. So, here is how to find an agent: From a basic web search to specialized events (and a few helpful tips I’ve picked up along the way), you will find everything you need to get started in your hunt for the perfect agent.
Querying:
How To Find An Agent
While self-publishing is always an option, sometimes what you want as a writer is to be able to reach a larger audience and benefit from the support of an established publisher. Or maybe you’ve previously self-published a book, but now you want to be picked up by a traditional publisher. There are many reasons why traditional publishing is best for you. Typically, the only way to do this, however, is through a literary agent.
So what is a literary agent?
A literary agent is an agent who represents you and your book to publishers (and even films studios, if they handle subsidiary rights). An agent is responsible for selling the rights of your book to publishing companies and negotiating the terms of your contract. Agents often have more responsibilities than just those two things, but for the purposes of this post, we’ll stop there.
You’ll want to ensure that your literary agent has your best interest at heart and that they are capable of helping you reach your goals as an author (and level expectations, if needed). Finding the right literary agent for you is very important. It’s like a second marriage. You need to make sure the agent you choose is right for you, and this starts early on in the process.
So where can you find a good literary agent?
There are a number of websites designed to assist you in finding the agent that will fit best with your needs. The first step is to know your genre (i.e., fantasy, horror, romance, etc.) and your audience (i.e., middle grade, young adult, adult, etc.). You will need to research each agent to see what genre they represent.
Do NOT send your query to everyone– you will be wasting both your time and the agent’s time and you’ll end up frustrated with the process.
Before sending a query, there are several do’s and don’ts you should follow, but the most important thing is to always follow the submission guidelines.
AGENCY’S WEBSITE
The easiest way to find an agent and find out if that agent is right for you is to check out the agent’s website. There you can see what they’re looking for, whether they represent the genre/audience of your book, and what specific submission guidelines you have to follow for your query.
The implication here is that you have names of agents whom you know who represent an author who writes similar books or that you met at a writing conference/seminar.
Tips: To find agents that represent your genre, read the acknowledgments of published books similar to yours. Agents are often mentioned in those lines. Now, a word of caution – these agents may no longer be accepting submissions. This is why looking them up is important. Also, if you’re a debut author, these agents may not be your best bet since they already have an established list of clients, but it’s worth a shot if they’re accepting submissions because these agents already have the right contacts to put you on the path to success.
ONLINE DATABASE
If you don’t have names of specific agents or would prefer to target agents open to receiving submissions, the following sites are your best bet. These are all essentially online databases designed to connect literary agents and authors through a trusted resource.
The site usually requires that you first create an account, but the subsequent search process is pretty straightforward. Sometimes you will also have the ability to look up projects an agent recently sold, which can give you an idea of the agent’s workload.
WRITER’S DIGEST (WD):
Writer’s Digest is a wonderful resource for authors/writers.
Book – Guide to Literary Agents
Every year, a new edition of Guide to Literary Agents is released. I guess you could say it’s the yellow pages of literary agents. Agents are all classified by literary agency, under which you’ll find a list of agents with details about what they’re seeking and more.
Seminars
Last week, I attended a seminar where an agent read the first 10 first pages of my book and provided feedback. She pointed out a few things I had missed, but her words were encouraging. She also provided insights on the market I’m trying to break into, which was a needed insight for me.
I revised my pages accordingly and sent them back to her. I’m still waiting on her final feedback, but overall the experience has been invaluable. This seminar also provided to all writers attending the opportunity to discuss with the agent about comments from the feedback or questions related to the industry. This live discussion was very informative. I believe attending a seminar like this is a good way to determine if you’re ready to present your work.
The agent also pushed me to think of my book as a product. I found looking at my work from her point of view very interesting. In a nutshell, I highly recommend this type of seminar for new writers.
Blog
Another thing I like about WD is that they have posts on their blog about new agents and what they’re looking for. This blog is a fantastic way to learn more about the industry.
WD Conferences
WD hosts two conferences a year. In August, the first conference is held in New York where they often hold a pitch wars session with numerous agents. It’s a little like speed dating. This is one way to meet agents and pitch your ideas in a short amount of time.
The other conference is held in Pasadena in October. I met agents there who only accept submissions if you’ve attended their class. These conferences are a great opportunity to access agents. You get to meet them and get a sense of whether your personality and work ethic will match.
SOCIAL MEDIA (Twitter):
I would first advise you to start with the sites and the book I mentioned above, but it can also help to get involved in some specific events on social media, especially on Twitter.
For example, PitMad on March 7 is an event not to be missed if you’re querying agents. You’ll have the ability to pitch your book on Twitter using the #PitMad hashtag and agents will be online all day reading all the pitches.
If they are interested, they will like/favorite your tweet. You can then reach out to interested agents (who may have a guideline specific for this event on their website). You should send them an email with “PitMad request” or something similar in the subject line. Don’t forget: agents do not like attachments, so put everything you want to say in the body of your email.
This event is a wonderful way to reach a lot of agents at once. There are many more events like these on Twitter, but the two main Twitter events for pitching are PitMad and DVpit. This year, DVpit will be held on April 23 (Children and YA) and April 24 (Adult).
Here is another article from Publisher’s weekly written by Claire Kirch about events on social media that connect writers and agents. This article also provides some excellent pitch examples.
Another resource to help you find the right agent
Publisher’s Marketplace is another website that provides a plethora of information on how to find a literary agent, an editor, or articles on the various trends in the publishing industry.
This information is very useful and informative. This site is great for authors who want to obtain pertinent information, especially if you are deciding whether or not to sign with an agent. To access this site, you are required to pay a $25 monthly fee (with no long-term commitment). I would say this site is a good way to find out more about new deals that were recently signed and other industry information.
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Overall, finding an agent isn’t hard, but it requires time and meticulous research. This is something that can be extremely beneficial for you as an author in the long run. Keep in mind that the querying process can be as challenging as writing the book itself. At the last writing conference I attended, someone asked a published author what set them apart from other authors, what they thought they had done differently that made them more successful. The answer given was “persistence.”
Don’t give up! This week I read Martine Fournier Watson’s article, “How to Find a Literary Agent in 109 Easy Steps” and I highly recommend you read it as well. In the article she shared, “Here are my statistics: I spent more than 18 months querying my book, and in that time I sent out 109 queries. I was rejected 108 times.“
Some of you will be lucky and will find representation quickly, but for the rest of you, remember to be persistent. Figuring out where to send a query is the first step toward success. If your work is the best you can do, and you have had it thoroughly reviewed by enough beta readers that you feel confident the story is flawless, don’t let the pile of rejections tell you otherwise.
If you have any tips or want to share your experience, please feel free to comment. I’d love to hear about your own experience. No writer is or has to be truly alone.
Until next week… Happy writing!
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Writing a book is undeniably something you do on your own unless you co-write a book, but most of the time, it’s an activity that you do alone. You sit down and pour your heart and soul onto the paper. Interactions aren’t what writers are known for, and sometimes, it can feel heavy on your shoulders. There are a lot of reasons why you may struggle, from trying to balance work, family, and writing, and fit everything in one day to doubting your writing skills. When you start spending a lot of time looking at the cursor blink on your screen or looking at the white paper mocking you, walk away.
Now I said “read extensively in your genre,” but it doesn’t mean only reading in your genre. Extensively doesn’t mean exclusively. You can learn a lot by reading in other genres. For example, if you need to build tension or a twist in your plot, reading thriller are very helpful. Reading romance can help you develop a love story.
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Honestly, it was late on a Sunday night, so all the stores were closed. I really wanted to read the next book of a Series and ran out of patience, so I gave in and decided to try it out. The first step was to download the e-reader and the e-book, which turned out to be easy enough not to give me time to second guess myself. Reading on an e-reader though wasn’t easy at first because my mind was missing the experience of turning actual pages and the feeling of holding it to have a feel of where you’re at in the story.
When you’re jet-lagged or have insomnia and want to read, but the people next to you don’t want you to use a light at 2 am, e-Readers are life-savers. The lighting is soft enough that it won’t bug them. When I was traveling, I had bought a print book with me, and when I was up at 3 am, I had to table it and read another book on my e-Reader. This was when I realized how much convenient this device truly was.
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You need to know what’s out there. Do it differently by bringing new ideas to the table. Ask yourself if this is helpful or insightful to your readers. What message are you trying to convey? Is it actionable?
Once you finish writing the post, edit it. It’s painful to read a post with typos, missing words or grammatical errors. 
The title is probably one of the most important steps. If you have a bunch of articles to read, what will compel you to read one versus another? I tried posting three different titles for the same post, and two barely had hits when the third got a lot of engagement. The difference? The title.
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I don’t mind questions like, “how is it coming along?” or something in those lines. Believe me – writers already feel the pressure. Let’s not add to it or be demeaning.
It’s like being in a closed room next to someone who has a cold and keeps coughing next to you. Once or twice is tolerable, but more than that and you want to dart outside before you get sick. You can’t even see how beautiful the room is anymore.
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So what did I do?
Making this type of decision must be carefully thought before. The leap is something you must want beyond anything else because you don’t need to write full time to be successful. Many authors wrote best sellers maintaining a day job. Writing full time doesn’t guarantee success, it’ll just increase your chances. You could also have a part time job.
Chances are I’m not going to make any money or very little in the next few months, and it’ll take a long time to make things happen. That’s a risk to be considered. The likelihood to make a living is thin, but if you don’t try, you’ll never know. Having a plan B is crucial. I have a stable work history, lots of recommendation, and did everything I could the right way when I quit.
Get coffee, but don’t bring the pot or you might need to do some squats afterward. Put some music on if that helps. I don’t like music when I write as I find it distracting, but I have friends who can’t write without music or a picture on the wall. We’re all different, so find what works for you. Also, set up your desk by getting rid of possible toys (FYI – a slinky may count).
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It depends on your situation and what matters to you. For some, what matters will be the display of their book in a bookstore, the help of an experienced and recognized team, the higher earnings through royalties, or the freedom to decide what’s best for your book. Many writers, especially those with an established Author platform, will prefer self-publishing.
As opposed to traditional publishing, you get to exercise full and decisive control over your work. You get to decide what needs to be edited, how the ideas are presented, the title of your book and the cover design. These are all roles that are taken on by the publisher when it comes to traditional publishing, which can be a real downer and hindrance to your creative prowess.
I can’t stress enough how important having your book edited by a professional is. Since there isn’t a set standard of quality, self-publishers are expected to publish high-quality work. Unfortunately, the industry usually has a view of low quality and poorly edited work when it comes to self-publishing. I’m sure you’ve read books where there are so many typos and errors that you can’t enjoy the book. Yes – it also happens with traditional publishing, but much less. Lots of readers have become skeptical of the work that comes off of self-publishing. Therefore, even if your work has exceptional quality, it takes time for it to be recognized and to receive the appreciation it should.
Since you will be working on everything by yourself, you have too much of a workload on your hands. This affects your performance and sets you back by a considerable amount of time. You might easily get stressed out and give up on the project due to frustration.
This is a great alternative to self-publishing since it is part self-publishing and part traditional publishing. It limits the cons of both self-publishing and traditional publishing and offers you a wonderful solution.
The title has two jobs: it should be interesting enough to catch people’s attention and fit per the general topic of your book. It helps if it uses keywords that readers can search for when finding titles of subjects that your book mirrors. But that’s more for non-fiction. Your title helps market your book, so be sure that it fits the subject, and is interesting enough to garner a closer look.
Despite the old saying, many people do judge whether they are going to purchase a book by its cover. You will need to have a good, professional, and interesting cover to help sell your book. It should be a cover that appears professionally designed, uses the right color palettes, and has typography that catches the eye. Plus, it should be attractive both in small and large sizes so that it can sell whether seen on the screens of computers or mobile devices.
You may not consider your photo or short biography to be interesting enough to put on your book. Your readers will appreciate to know you a little more. Your bio should be one that establishes you as an authority, even if this is your first book. Plus, your photo should be professional. Do not go for a goofy or complex photo, but rather a simple, straightforward image that conveys your work.
Your book description needs to be clear and concise if you want to really hook the person into reading your work. It pays to use the services of a copy editor who can write a catching, powerful description that can pull people into your work. Writing a great pitch isn’t always easy, so it may be worth having an outside view on your work do it. In addition, having testimonials that speak to the quality and interest of your work helps substantially when it comes to sales.
Digital printing can help you save money by creating a book that has fewer pages. But, if you print your novel on letter-size pages with tight lines and small margins, it will be very hard to read. You are far better off spending more money and getting enough pages so that your book is easy to read.
An agent or publisher is more than likely to take you on as a client if they are assured of your demand value. Unless you are an established author with a strong credibility or a celebrity, then your writing and story is the only thing you can showcase, and sometimes it’s not enough. Having a solid following, however, assures the agent or publisher of your demand value. It shows that as an author, your work is appreciated by enough readers to ensure sales once published on a commercial scale.
As mentioned, your author platform can act as an avenue to reach out to more people. If you have an author platform, you can use this as a stepping-stone to drawing in more readers into your following. Most times, if your work is truly exceptional, you will not have to ask your readers to help you bring in more people into the fold. Instead, your work will do all the talking for you, and you will find your platform growing. If you need a good system to sell your book, I do recommend to read Tim Grahl’s “Your first 1000 copies.” It’s a great book.
As an author, there may come a time when you need fresh ideas for new books. An author platform might come in handy in such a situation. Your readers might offer some useful insight into what they want from you or what they expect of your books and characters. Do you, for instance, need a book series for a certain title? If so, how would the sequels progress? What is expected of the main characters and how can you keep the readers glued to your books? They can generate ideas for a sequel, and it will give you an idea of what your readers want from you. Also, the more you see this kind of comments, the better it is because it means they are involved in your story. At the end of the day, you remain the author, but it’s a great connection for you to have with your readers.
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We spend hours and hours bleeding words on paper, and some days are easier than others. I see writing quotes as a wonderful way to remind ourselves that we are not alone. 
We live and breathe our book for months and sometimes even years. We pour our heart out on paper and sweat to ensure each word earn its place in the story. After countless revisions, the story takes its final form and the book is ready. Celebrate this accomplishment for a moment, because quite frankly you deserve it. If you decide to have your book traditionally published, then the time has come to query the fruit of your labor and seek out Literary Agents.
Twitter can be an intimidating little bird when you first start. It’s natural to question its relevance as a writer, blogger or an author. After all, our time is precious and unless you find something of value, why should you bother? I started using Twitter in June 2016 and this social media keeps surprising me.
Modern technologies gave all of us access to an incredible amount of information. We have social media, newspapers, libraries, radios and many more ways of getting information. This amount of information is so important that quantity prevails over quality. Reading interesting content requires more research on our part and more research means more time. For those who watch the new TV show “The Good Place,” I’d love to have a Janet who basically appears every time you need information and tells you everything you need to know. Instead, we have no Janet and have to look through a crazy amount of articles, books, videos or podcasts to grasp the real essence of the topic. So, when I stumbled upon Flipboard, a social news magazine, it was a game changer. 
Last week, I talked about 
[/tweet_dis_img]When I first started writing, I had no clue what I was doing – I mean really NO clue! I had this great idea powered by great enthusiasm, but no real education on the matter. I threw myself in this writing endeavor to quickly realize I had to stop and correct my approach. I don’t regret anything because I learned a lot from these mistakes, but I also know I will take a very different approach for my next book. With that, I want share with you what I should have done, in hopes it will benefit you and save you lots of time and potentially some major headaches. 
